We practiced with a video camera connected to the projector, so that we could see how our classmates' expressions came across on the big screen.
Some tips:
-The only thing that exists once "action" is called is the other actor. Tune all the rest out. Its not there. (this goes for all of film acting)
-The camera is not there. Do not look at it. If you must remember that it is there, remember that ot loves you and will only make you look good. Relax. (this also goes for all of film acting)
-The most important tool you have is your eyes. Focus on the emotions of the scene, and trust that your eyes will communicate it to the audience. In this sense, you don't have to "do" anything; you have to "feel." (This is, of course, easier said than done, s don't worry. It gets easier with practice.)
-Move your head and body as little as possible unless directed otherwise. It may feel unnatural, but a small movement looks big in a close up. The camera amplifies everything.
-When it comes to facial expressions. less is more.
-Always know your eyeline. The most important thing in the scene is the eyes of the other actor.
-Blinking: Characters that are strong/confident/trustworthy/powerful/intense blink very little and maintain eye contact. Characters that are weak/nervous/untrustworthy/deceitful blink a lot and avoid eye contact.
As an example of close-up acting, I showed a brief snippet of Carl Theodor Dreyer's
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